Chaya Fuller
1. In this scene, the director chooses a Middle shot to show one of the props in the character's hands and shows the relationship between these two characters based on how they sit next to each other. With that, he chose two shots of the framing, so we can stay focused on the main characters in this scene, not getting distracted by what's happening around them. Keeping the camera at eye level keeps us more neutral on those characters. The Mis en scene is shown mainly with the character's clothes, they are but dress very classic giving us a feeling of what time they are in basic on how their clothes and for the female very light makeup a sense that the film was during the ’50s. This character has mainly more neutral tones in their outfits while the background has more of a brighter contrast causing us to look at them. With this, the director used a wide-angle lens, most likely around 15 to 16 mm, since this helps us see the character more and how the interpreter helps us extensible the relation between the two characters.
2. The director used a wide shot and an over-the-head angle here to help us understand how small the character is feeling in this moment though we can’t see him it gives us the idea of feeling small and lost in a big world. This is a point of view shot, not the view of the character but from the outside world around the character viewing them from the outside for once and not in a personal or normally close angle. The camera lens has a wide lens as far as 20mm putting us far away from the main character and letting us see the full environment around him.
3. The director makes this a dirty to let us see more of the female's emotion, this the close allows us to see what she is feeling in the moment truly and sets us up at shoulder level with the character so we can see what they are seeing and able to get the full emotions of the scene too. Mis en scène is this scene is set by the lighting allowing it to have a romantic mood, with soft lights with the lenses for this camera in this mostly 50 to 80mm allowing us to be close with the character but not too close.
4.The director used a master shot to help decide how alone the main character is feeling, showing how he completely abandons himself the there is no one around him to help, and that there might be no hope felt for him. With his they used a clean single to help show off this, with the main character being left in the desert a clean single shows himself and no one else, and using a high angle we can see how these fields keep going and going giving the main character no chance to leave. The direction and the motion n on the screen have us go right to the left giving us a sense of uneasiness and making the environment more uncomfortable for the viewers to watch. The lenses on the camera were mostly around wide-angle lenses around 15 to 20 mm, helping us see how big this field truly is.
5. This wide shot helps the viewer see the relationship between the two characters on the scene, they seem like strangers to one another, and this is shown by the distance between each other also with this we have a dirty single and a low angle, a low angle to almost feel like we are watching these too from afar. but not too far where we can't fully see them, but just enough. This shot is also a dirty single because we have two people in the scene, but we are unable to fully see their faces, giving them an unknown present about them. This wide lens here is about 28 mm since we can have both full bodies in frame, so that shows weren’t too close with the characters. The lighting gives almost a creepy tone and the costumes still show a sense of class or power between each other based on how each one stands as well.
6.The Over shoulder, close lets the viewer know the real emotion in this scene, while it focuses on one character we can see all the mention she is feeling in this moment, and this is the reason the director chose a shot like this, it being over the shoulder because we have the behind the back view for the male main character only really see his shoulder, the camera lens for this was a 15mm (about 0.59 in) or bit below do to us being close up to the face. The delight in the scene is set very dem almost like it's about preparing for a plot change in the story, while the character outfit still stays on theme with the time, they are in finding the overall feeling in the film.
7.The director uses a wide crowd shot pointed at eye level, to help us feel in the scene almost, wide shot so we can see all of the moving enivorment and all the people within, a crowd shot due to all the people and yet not being able to see all their faces make it that, and at eye level because it feel like you are standing in the room at a distance with this angle we start standing at a neutral standpoint to option on the main character it villains should affect us in this view, the shot being shot at 20 mm (about 0.79 in) or more due to happen for the camera is to everyone else in the scene and the overall setting and mood feeling partly fast pasted do to how the crowd is speed out but also the building itself feels classic and clean because if how it built and how the people are dressed inside it.
8.The director uses an over-the-head view here to show how vulnerable the character is in this moment, they are helpless since nowhere to run or go, it's a Two shot due to both characters being able to be visible in the scene and a medium closes up is allowing us to see the true emotion of the character in the moment of need. The angle also shows how far the drop is giving us almost a sense of panic seeing how far they might fall. The camera lens in this scene was a wide lens most likely 16mm due to the camera not being too close to their face but still letting us see a lot of detail, with the darker lighting and more rocky background shows how much dangerous the two main character may be in due to the stakes.
9. The director in this shot used a crowd shot due to the number of people in this scene, but also made it a medium-full shot, we are still able to see the character's upper body and lower half which is why it makes it a medium-full body and not a full body shot, with this being a high shot, thought 9it not over the character head or like complexly in the air the camera is sitting at a higher angle then eye level which makes me believe that it's high angle. the lighting in this room is also clear making it easier to see the people in the scene and what's going on in the scene around them, with this the camera seems pretty far back meaning the lens is most likely at 20mmor a hit higher sense we can see more people and more space in the room.
10. The director uses a dirty single, in this shot, with only one person's face being visible, and its medium close-up shot, shows us the relationship between these three characters and how they would interact with each other, this also shows the cameras just below camera level for the character so we are only really able to see their upper body, this character outfit is dress in class showing they must do something business of high-class level due to the time this movie is shot in. The camera's Len sense like it set at wide lens, made about 15m nit to close but not too far from the characters.
1. In this scene, the director chooses a Middle shot to show one of the props in the character's hands and shows the relationship between these two characters based on how they sit next to each other. With that, he chose two shots of the framing, so we can stay focused on the main characters in this scene, not getting distracted by what's happening around them. Keeping the camera at eye level keeps us more neutral on those characters. The Mis en scene is shown mainly with the character's clothes, they are but dress very classic giving us a feeling of what time they are in basic on how their clothes and for the female very light makeup a sense that the film was during the ’50s. This character has mainly more neutral tones in their outfits while the background has more of a brighter contrast causing us to look at them. With this, the director used a wide-angle lens, most likely around 15 to 16 mm, since this helps us see the character more and how the interpreter helps us extensible the relation between the two characters.
2. The director used a wide shot and an over-the-head angle here to help us understand how small the character is feeling in this moment though we can’t see him it gives us the idea of feeling small and lost in a big world. This is a point of view shot, not the view of the character but from the outside world around the character viewing them from the outside for once and not in a personal or normally close angle. The camera lens has a wide lens as far as 20mm putting us far away from the main character and letting us see the full environment around him.
3. The director makes this a dirty to let us see more of the female's emotion, this the close allows us to see what she is feeling in the moment truly and sets us up at shoulder level with the character so we can see what they are seeing and able to get the full emotions of the scene too. Mis en scène is this scene is set by the lighting allowing it to have a romantic mood, with soft lights with the lenses for this camera in this mostly 50 to 80mm allowing us to be close with the character but not too close.
4.The director used a master shot to help decide how alone the main character is feeling, showing how he completely abandons himself the there is no one around him to help, and that there might be no hope felt for him. With his they used a clean single to help show off this, with the main character being left in the desert a clean single shows himself and no one else, and using a high angle we can see how these fields keep going and going giving the main character no chance to leave. The direction and the motion n on the screen have us go right to the left giving us a sense of uneasiness and making the environment more uncomfortable for the viewers to watch. The lenses on the camera were mostly around wide-angle lenses around 15 to 20 mm, helping us see how big this field truly is.
5. This wide shot helps the viewer see the relationship between the two characters on the scene, they seem like strangers to one another, and this is shown by the distance between each other also with this we have a dirty single and a low angle, a low angle to almost feel like we are watching these too from afar. but not too far where we can't fully see them, but just enough. This shot is also a dirty single because we have two people in the scene, but we are unable to fully see their faces, giving them an unknown present about them. This wide lens here is about 28 mm since we can have both full bodies in frame, so that shows weren’t too close with the characters. The lighting gives almost a creepy tone and the costumes still show a sense of class or power between each other based on how each one stands as well.
6.The Over shoulder, close lets the viewer know the real emotion in this scene, while it focuses on one character we can see all the mention she is feeling in this moment, and this is the reason the director chose a shot like this, it being over the shoulder because we have the behind the back view for the male main character only really see his shoulder, the camera lens for this was a 15mm (about 0.59 in) or bit below do to us being close up to the face. The delight in the scene is set very dem almost like it's about preparing for a plot change in the story, while the character outfit still stays on theme with the time, they are in finding the overall feeling in the film.
7.The director uses a wide crowd shot pointed at eye level, to help us feel in the scene almost, wide shot so we can see all of the moving enivorment and all the people within, a crowd shot due to all the people and yet not being able to see all their faces make it that, and at eye level because it feel like you are standing in the room at a distance with this angle we start standing at a neutral standpoint to option on the main character it villains should affect us in this view, the shot being shot at 20 mm (about 0.79 in) or more due to happen for the camera is to everyone else in the scene and the overall setting and mood feeling partly fast pasted do to how the crowd is speed out but also the building itself feels classic and clean because if how it built and how the people are dressed inside it.
8.The director uses an over-the-head view here to show how vulnerable the character is in this moment, they are helpless since nowhere to run or go, it's a Two shot due to both characters being able to be visible in the scene and a medium closes up is allowing us to see the true emotion of the character in the moment of need. The angle also shows how far the drop is giving us almost a sense of panic seeing how far they might fall. The camera lens in this scene was a wide lens most likely 16mm due to the camera not being too close to their face but still letting us see a lot of detail, with the darker lighting and more rocky background shows how much dangerous the two main character may be in due to the stakes.
9. The director in this shot used a crowd shot due to the number of people in this scene, but also made it a medium-full shot, we are still able to see the character's upper body and lower half which is why it makes it a medium-full body and not a full body shot, with this being a high shot, thought 9it not over the character head or like complexly in the air the camera is sitting at a higher angle then eye level which makes me believe that it's high angle. the lighting in this room is also clear making it easier to see the people in the scene and what's going on in the scene around them, with this the camera seems pretty far back meaning the lens is most likely at 20mmor a hit higher sense we can see more people and more space in the room.
10. The director uses a dirty single, in this shot, with only one person's face being visible, and its medium close-up shot, shows us the relationship between these three characters and how they would interact with each other, this also shows the cameras just below camera level for the character so we are only really able to see their upper body, this character outfit is dress in class showing they must do something business of high-class level due to the time this movie is shot in. The camera's Len sense like it set at wide lens, made about 15m nit to close but not too far from the characters.
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